Ray Wilson authored this content while he was actively running MFOS as the founder and resident genius.
We retain the content because it reflects a valuable point of view representing that time and place.
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This project was personally endorsed by Albert Einstein who, while alive, looked into the future (as was his wont) and
declared... "Zom day Zom vun iss goink to make a very veird zound generator. I would like to personally endorse it ahead of time."
Not many people know this fact but now both of us do.
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WSG Original Recipe (with this PCB)The WSG Community Page (where it all began) |
Testing in the Weird Sound Labs has shown that there is a five second delay when the unit is first powered. This is due to the biasing network (R16, R17, and C8) charging up until the filter's bias input is happy. Nothing to be concerned about unless an alien is attacking and you know that if you could only hit it with that weird sound you found last night that it would be curtains for the alien. Then five seconds can seem like an eternity and we're sorry. |
You want a WSG but for whatever reason you can't build it yourself. You have... no time to build. |
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Your "no time to build a WSG problem" has just been solved! (Other problems... sorry we can't help.).
With all we are doing we eked out the time to help all of you make your weird sound making dreams come true. Now you can have weird sounds in the palm of your hand, ready to go, once you get a 9V battery, and an amplifier of some type. We suggest that at the time you order one, you go out and buy a nine volt battery and round up an amp and a guitar cable. Then when the WSG arrives you can power it up, attach it to the amp and start making weird sounds with no interruptions. What does it look like you say? Look at the pictures below. It is built into a handmade wooden box by humans and not robots as you would suspect. Also each one is a little different in appearance. A scratch on the panel here, a nick in the wood there. They are by no means perfect carbon copies of one another. You are seeing a good example below and you can click on any of the pics for a HUGE photo. Look over the pictures REALLY WELL before you buy one. We test each one we make but hey if you have a problem with it within the first thirty days we will fix it for free if you ship it to us. You pay to ship it to us and we will pay to ship it back to you. Of course this is with the proviso that you did not drop kick it, deep fry it, back your car over it, etc. In those cases if you pay to ship it to us we will look it over give you an estimate and proceed if you agree to it. We're covering our butts here but we're reasonable types and don't want to stick anyone with a defective product so hey as the Beatles so aptly put it "We Can Work It Out". The battery holder is on the outside of the case. Again look it over and only buy it if you like it. Don't let your peers pressure you into buying one if you aren't really sure it's something you want to do. Yes the battery holder is on the outside of the case. This battery holder is a little cantankerous and really likes to hold on to the battery so... The holder is right where you can get at it with no unscrewing, opening, whatever... We kind of like it there. It does not come with a battery. You must supply the 9V battery. You need an amplifier to hear it. You must supply the amplifier. We thought about maybe including a Fender Tube Twin Reverb just for the heck of it but the board of directors shot that down right away. Those naysaying nabobs of negativity. Does it come with detailed instructions? No it comes with very terse general instructions. As a matter of fact here they are in Word format: Fully Formed Weird Sound Generator Document It aint cheap.
Sitting and repetitively making the same thing over and over and over again is not really our idea of a fun day at the beach... so we priced it so that
if you really, really... really don't want to make one you can buy this one. But hey, everything you need to make
it yourself is here on the page... now you have one more WSG option. Will they become collector's items..? Only time will tell.
Studio and station managers these things are great for making odd attention getting bumpers.
And remember... if you don't spend your budget this year... you're getting less next year... am I right or am I right...?
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Realized on the WSG by Ray Wilson.
Single track with WSG and reverb added by Cakewalk Home Studio.
Faded in the beginning with the Cakewalk Home Studio fade in tool.
Multiple knob twiddling and switch flicking employed throughout the piece.
Nutrition Facts | |||||||||||
Serving Size: (1000 Weird Sounds)
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Amount Per Serving | |||||||||||
Calories: 0
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% Daily Value*
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Total Fat 0g | 0% | ||||||||||
Saturated Fat 0g | 0% | ||||||||||
Trans Fat 0g | 0% | ||||||||||
Cholesterol 0mg | 0% | ||||||||||
Sodium 0mg | 0% | ||||||||||
Total Carboydrates 0g | 0% | ||||||||||
Dietary Fiber 0g | ~ | ||||||||||
Sugars 0g | ~ | ||||||||||
Protein 0g | 0% | ||||||||||
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*Percent Daily Values are based on a 2000 calorie diet. Your daily values may be higher or lower depending on your weird sound needs |
Obvious Chart Showing Effect Of Weird Sounds On Fetuses
Information copyright of the prestigious Institute or Weirdsoundology at Stockholm |
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Obvious happiness and brain growth of a fetus EXPOSED to weird sounds. | Obvious sadness and brain shrinkage of a fetus NOT EXPOSED to weird sounds. |
If you
don't believe them at least believe me that this is the COOLEST WEIRD SOUND GENERATOR
in the near universe. I feel certain that in far away universes there may be others developing
weird sound generation equipment and who knows, it MAY be cooler but that would be a stretch.
Weird Sound Samples
Now you have no excuse not to expose at least yourself (if not your fetus) to weird sounds. Some of these are
raw and others have reverb or echo.
Buy Weird Sound Generator PC Boards Or Component Kit (Includes PCB!)
WSG BUILDER BLOGS
Matt Stanfield's Awesome WSG BlogMatt Stanfield has kindly blogged his WSG building experience and if you are thinking of building a unit from a board or buying a kit you will find it very valuable. He has shared a ton of pics too.
Matt's WSG Blog |
Thinking up a cool case is part of the allure of making the WSG. So here are some ideas. A milk carton, A VCR case, A shoebox, A round CD box (like the 50 or 100 pack), a toy, a baby doll, a two liter bottle, an old computer, a bucket, a sweater, a robot suit, etc.
DISCLAIMER I am really trying to be up-front and make this crystal clear so that nobody is disappointed when they get their kit. I think that even I would understand this section if I came upon it on the web, thus, I believe it to be crystal clear to the rest of mankind.
Hey! I'm missing a part!You've looked through the box and all of the packing materials and something's missing. We wrap some stuff in bubble wrap or shipping foam, some stuff is in baggies and the board is wrapped in the MFOS thank you letter. Still not there...First off please accept our apology. We really try to make sure every kit has every part in it but we're only human so just let us know what's missing and we'll ship it right to you. Also if you receive a damaged or defective part please let us know and we'll ship you a replacement part ASAP. |
View as PDF | View as PDF | View as PDF | View as PDF | View as PDF |
These diagrams show how to make the case and how to mount the PC board to the case. What you want to do in roughly this order is this:
The Weird Sound Generator uses technology found at the crash site known today as Area 52 (Anything else is soooo Area 51).
The Weird Sound Generator focuses the latent energy of the universe into unusual sounds and lets you hear them for yourself.
Well sure U1B, R6, R1, and C4 form an oscillator because inverting schmitt trigger U1-B just sits there charging and discharging C4 because when C4 charges up to 2/3 of the supply the output of U1-B goes low and starts to discharge C4 via R6 and R1 ("Wacky Frequency" pot). Then when it gets to 1/3 the supply voltage the output of U1-B goes high and starts charging C4 again and that just keeps happening again and again and again... it's an oscillator (it oscillates... goes up and down). The whole upshot is that U1-B's output goes between logic 1 and logic 0 at a rate set by R1 ("Wacky Frequency"). The rate is audible to us because it's in the audio range. When R1 is adjusted so that there is less resistance between points WK1A and WK2A the oscillator goes faster (higher) and visa versa. U1-C (along with R15 and R13) is used in the same way only the timing capacitor is much larger and thus the charge and discharge times are longer. It produces the "Zany Frequency". The output of U1-C is a lower frequency square wave. It's output is used to modulate the frequency of the oscillator made up of U1-A, R7, R14, Q1, and R9 (the "Weird" oscillator). Notice that Q1 is shunting (in parallel with) R9 the frequency control for the "Weird Frequency". When current flows through R19 and R33 during the high periods of U1-C's oscillation it turns Q1 on a bit (depending on the setting of R18 "Zaniness Amount") so that during the high periods of U1-C's oscillation the frequency of U1-A's oscillation goes up. During the low periods of U1-C's oscillation the frequency of U1-A's oscillation goes back down (to the frequency set by R9). So you can get that dee doh dee doh type of thing going. Turn the "Zany Frequency" high enough (and the "Zaniness" control up) and you get a kind of bell tone from the oscillator formed by U1-A and associated components.
U1-B and associated components (the "Wacky" oscillator) serves two purposes. It can be added to the audio output via turning the "Wacky Too" switch to on. In this mode both the "Weird" oscillator (U1-A and associated components) and the "Wacky" oscillator (U1-B and associated components) are applied to the input of the filter. You can get some nice beating (tuned close together) or chord (tuned to 4th or 5th) effects like that. The other purpose of the "Wacky" oscillator is to gate the "Weird" oscillator on an off. When the "Wackiness" switch is On the input of U1-A is brought low during the low part of U1-B's oscillations (via D1). During that time U1-A cannot oscillate. But during the high portions of the "Wacky" oscillator's output D1 is reverse biased and so the input to U1-A ignores U1-B for while. U1-B does not like being ignored but it gets over it pretty fast. The therapy seems to be working. By adjusting the "Wacky Frequency" lower that the Weird frequency and turning Wackiness on you can get a hollow sounding sync effect from U1-A. The "Unusual" control, when On, causes the signal appearing at the base of Q1 to be integrated (turned into a triangle like wave) so that the Weird frequency goes up and down but glides from high to low instead of stepping as it does when the Unusual switch is Off. This is because when the negative side of electrolytic cap C15 is grounded it takes a bit of time to charge and discharge it via R19. When it's negative side is disconnected from ground it's like it's not even there and U1-C's square wave just plows on through. The filter is an adjustable low pass with a lot of Q (emphasis of the pass band). The Q can be turned down slightly with the "Oddness Resonance" control. The "Coarse" and "Fine Oddness Cut Off Frequency" controls set the cut off frequency of the filter. When you sweep the filter up you get a kind of wah effect. It is very ringy on purpose to add a lot of harmonic character to the sound. You can Turn the ringiness down with the "Oddness Resonance" control. The "Fine" control is so you can play with the harmonics over a smaller range with more precision. |
The astute observer has already noted that page two is pretty much the same as the corresponding parts of Page one sooooo that's that.
Now as I was saying the universal energy that is just flying around wildly during the normal operation of the universe is captured whenever a MFOS Weird Sound Generator is present. The universal energy waves flow into the WSG and then into your brain as you perceive them as sound waves by adjusting the knobs of the WSG. Einstein's theories are rife with information pertaining to weird sounds but I digress. Make one and have fun with it which is positively the lowest part of the bottom line. And don't forget to expose your fetus to the weird sounds and turn them into a genius or a prodigy (or an Einstein if you will). To do anything less would be irresponsible. |
The heart of the WSG is this simple oscillator which is actually in the WSG six times in various forms.
When power is first applied to the circuit the capacitor C is in a low state and charges from 0 to 2/3 of the supply (with a 9 volt battery this is 6 volts) at a rate determined by (A) the size of the capacitor and (B) the resistance of R-fixed and the setting of R-adjust. When C charges to 2/3 of the supply voltage the output of the CD40106 snaps from it's current high state (9V) to low (0V). The whole idea of a schmitt trigger is to snap high or low depending on the input voltage. Since this is an inverting schmitt trigger it snaps low when the input exceeds it's high input threshold and low when the input goes below it's low input threshold. Now that the CD40106's output has snapped low, capacitor C discharges at the same rate it charged before to 1/3 the supply voltage (the low threshold) at which time the output of the CD40106 inverting schmitt trigger snaps high again. This cycle continues to repeat and thus we have oscillation.
We use the oscillators in the WSG for sound generation and for modulcation sources. When R-adjust is set to place high resistance between the output of the CD40106 and the capacitor the rate of charge and discharge is low and thus the frequency of oscillation is low. When R-adjust is set to place low resistance between the output of the CD40106 and the capacitor the rate of charge and discharge is high and hence the frequency of oscillation is high.
The Kludge Experiment area is for your contribution to Weirdsoundology. It is the fertile soil of discovery.
It is the last true place of innovation on earth.
It is... some extra area that I could not bear to let go naked.
Hey benders... let's see whacha got!
The electronic components that come with your kit may not look exactly the same as the parts shown in this picture. That's OK! All the parts that come with your kit will have the correct values and that is what matters. When you lay out your parts to check that they are all there you want to be concerned with the values not the physical appearance. The resistors will look very similar but the capacitors may vary in appearance.
I recommend using an aluminum panel so that it can be attached to ground and thus ground all of the pot bodies. |
Kit buyers! Your kit contains SPDT (single pole double throw) switches. Simply use the bottom two terminals as shown below. You will leave the top terminal un-connected since you will be using the switch as if it was a SPST (single pole single throw). See this article for more info: Know Which Switch Is Which.
If you don't use metal for your front panel then I suggest you line the inner surface with aluminum tape used by the heating and cooling people. When the adhesive side of this tape is stuck to the non-adhesive side (as when you cover a large area with several pieces and overlap them) the pieces conduct to one another very well. You do want to rub them down well and BE CAREFUL NOT TO CUT YOUR FINGERS as the edges can be sharp (wearing gloves is a good idea). Once they are connected my meter reads very low resistance between pieces (the same as when the leads are shorted). In my book that's pretty darn connected. You still want to bolt a solderable terminal to the front panel which is in contact with the aluminum (you can't solder to aluminum) and connect it to the circuit ground. Then you use an exacto knife to cut out the panel holes and mount your hardware. Voila... all of the pot bodies will be electrically connected to one another and to the circuit ground. I use 1/8" Masonite for prototype front panels and use the tape method to shield and ground the front panel components.
The reason you want to do this is because some points in the circuit are fairly high in impedance and the pot bodies can pick up and induce electromagnetic interference into the circuit and cause 60 cycle hum if they are not in contact with the circuit ground.
Qty. | Description | Value | Designators |
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1 | CD40106 (or 74C14) DIP* | CD40106 | U1 |
1 | LM741 (or equiv TL071, LF411) DIP* | LM741 | U2 |
2 | 1N914 (or equiv 1N4148)(s) | 1N914 | D1, D2 |
2 | 2N3904 (or general purpose NPN) | 2N3904 | Q1, Q2 |
4 | Ceramic Capacitor(s) | .022uF | C4, C5, C13, C12 |
3 | Ceramic Capacitor(s) | .1uF | C9, C10, C1 |
2 | Ceramic Capacitor(s) | 470pF | C2, C3 |
5 | Electrolytic Capacitor(s) | 1uF | C6, C7, C15, C14, C16 |
2 | Electrolytic Capacitor(s) | 220uF | C8, C11 |
3 | Linear Taper Potentiometer(s) | 100K | R18, R31, R29 |
7 | Linear Taper Potentiometer(s) | 1M | R9, R1, R13, R3, R25, R26, R20 |
1 | Linear Taper Potentiometer | 500K | R32 |
1 | Resistor 1/4 Watt 5%(s) | 470K | R35 |
2 | Resistor 1/4 Watt 5%(s) | 100K | R16, R17 |
1 | Resistor 1/4 Watt 5% | 10M | R4 |
3 | Resistor 1/4 Watt 5%(s) | 1K | R8, R12, R10 |
4 | Resistor 1/4 Watt 5%(s) | 1M | R5, R2, R22, R21 |
8 | Resistor 1/4 Watt 5%(s) | 4.7K | R7, R6, R15, R14, R24, R23, R28, R27 |
4 | Resistor 1/4 Watt 5%(s) | 47K | R19, R33, R30, R34 |
1 | Resistor 1/4 Watt 5% | 750K | R11 |
7 | SPST Switch(s) | SPST | S2, S1, S3, S6, S5, S4, S7 |
1 | 9V Battery Clip | 9V Battery Clip | Clip for B1 |
11 | Potentiometer Knobs | For all pots |
* Dual Inline Package (plastic or ceramic)
Miscellaneous
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If your pots have little tabs on them you will need to remove them so that you can mount them to your faceplate. It is really easy to do. Carefully snap off the little tab near the pot body and voila it's done. Some kits come with larger pots and some kits come with smaller pots. The smaller pots are at times more expensive than the larger pots. They're all good quality pots and they all work the same way. | |||
Regular Sized Pots |
Smaller Sized Pots |
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This is the break-off lock tab which can be used to keep the pot from turning when you turn the pot shaft but tightening the mounting nut works just fine. If you have the wherewithal to drill little holes for these pesky things... be my guest. If not... read on. | |||
Using pliers, grasp the tab as low on it as you can and then gently twist the pliers outward. I told you it was easy. | |||
The little broken off tabs look like this. Now you can mount your pot without the little tab getting in the way. | |||
Trouble Shooting Tips(Do a browser control-refresh to insure you have the latest info.) |
Here are some things to check if you find that instead of "Weird" sounds you are getting
"No" sounds or "Nothing like any of the samples above" sounds.
Trouble shooting is a skill that comes with time. It takes patience and close observation.
Help from a local electronics savvy friend is always a good idea.
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David Talento sends this picture of his WSG. Dave recommends the Radio Shack case (Catalog #: 270-1806) as a good holder for your WSG. Click to see more pics and info. |
Travis Trotter's WSG. For space travel we recommend a lead case to protect the ICs from stray gamma radiation. Just kiddin' Anyway travis says he found this box at Fry's. |
Brandon Fitzgerald sends this picture of his WSG (sans knobs). I'll bet you can play some mean weird sound blues on this one... because it's blue. Boy it loses something when you have to explain it. |
Is this cool or what? Ariel Viramontes built a WSG into a book for his girlfriend as an artistic piece. He has since made more for her interactive art shows. |
Chris from the band TRASH MONEY came up with this excellent and again very creative case. Very cool! |
And this WSG's mom thought it would never grow up and become responsible. Well just look at him now! Scott Godwin's Frac-rack version is now hobnobbing with actual synth modules. |
Jan Rüspeler sent this photo of a friend who took the WSG perhaps a little too far by trying to have it implanted into his head. As you can plainly see this was not the best of ideas for his health. On the bright side Jan was named in the will as the receiver of the WSG and here it is. Visit TARSUS |
Heitor Alves version of the WSG is awesome. I'd buy that. He also renamed the controls to reflect their actual purpose in the real world. |
Matthew Newlove built his WSG into an old game console. Totally retro look and playable by more than one person. |
Brian E L Durocher recycled an old JAZ drive into a WSG. That should be worth a few carbon offsets if you ask me. |
Don Kim built his WSG into a wine bottle case. The look is tres chic. But that must have been one heck of an expensive bottle of wine to buy just to make a WSG case! |
Another WSG that went to Harvard. Steve Drake found this orphaned WSG on a street corner. He took it in, clothed and fed it and eventually helped it become a professional synth module. |
Travis Trotter's WSG. Travis added a momentary switch to the side so he could create some percussive patterns with it. The graphics were painted by his brother T. Goodchild | |
Chad Callas built his WSG into his favorite type of second-hand project box...the ol' AB switcher (ABCD in this case). |
Kristian Bauck Nordeide of Norway built this cool unit. For the nature lovers out there, here's a picture of my newly finished WSG enjoying the spring. I'm including a little tune I recorded with it. The recording is done in two takes. The dark ambience in the background on one track and the drones and "melody" on the other. The melody was made by playing with one of the Zaniness controls. Listen to Kristian Bauck Nordeide's WSG composition |